I Bought a Flamenco Dress, Now What?!: a Guide to Buying Complementos

My phone buzzes just as I’m hopping on my bike, telling me I’ve got a photo in my whatsapp. M has sent me a photo of two different earrings, set side-by-side with a series of questions marks.

I know where she’s coming from.

Buying a flamenco dress every two years and figuring out how to deck it out has become my adult version of dress-up (who needs Halloween when you can wear ruffles? And big flowers on your head! And side-eye anyone wearing an outdated dress design!). I’m probably just as excited to shop for complements than I am for the actual flamenco dress.

I confess that my first Feria was rife with mistakes: I wore jeans and a ratty tee to the alumbrado, bought baby-sized accessories and – gasp! – wore my mantoncillo around my hips because I didn’t know you had to buy a brooch for it. Hey, no one helped me, and the lady in the Don Regalón probably laughed when I chose demure earrings that only an infant should have been wearing.

Shame is having a six-month-old show you up on Calle Bombita while she’s napping in her stroller, trust me.

Oh, and did I mention I also wore a purse and a WINDRBREAKER?! Guiri, no.

I sent M the cardinal rule of flamenco accessories – BE BOLD. When else can you wear ridiculously oversized jewelry? When else is risk-taking so handsomely rewarded? Her dress is black, so the obvious, traditional choice is red. When I suggested gold, fuschia or even neons, I think I confused her even more. Having options makes sticking to a color palate really, really tough.

Let it be known that I am quitting my job for the next month to become a flamenco accessory consultant. 

First, you have to know the basics. Two months before the Greatest Week Ever begins, flamenco dress and accessories stores begin to pop up in the center of town, and you’ll hear the word traje spoken with a word density that makes your head spin (that, and azahar, playa, pasos and vacaciones, four sacred words in the sevillano lexicon when spring arrives).

Look for the stores near Calle Francos, Calle Cuna and Calle Asunción for both dresses and accessories. Your shoes can be bought on Calle Córdoba or any Pasarela store around town. If you’re looking for a deal on a dress, trajes are sold at warehouse prices in the towns outside of Seville, as well as older models at El Jueves flea market. A dizzying variety of complementos can be found at El Corte Inglés, Don Regalón and a number of specialty shops. Neighborhood accessories stores also sell bargain items in plastic and sometimes beads.

Rule of thumb when it comes to your accessories: the bigger, the better. I mean it. No color, shape or size is off-limits. My new traje de gitana is a greenish turquoise color with cream-colored lunares, complimented by cream-colored encaje under the bust, where the sleeves open at the elbow, and at the ruffles. Since I didn’t pay for the dress, I was willing to splurge on complementos this year.

My advice is to browse before you buy. Because there are endless combinations of colors and styles, it’s easy to lose your head. When you have a dress made for you, ask for a swatch of fabric to take to the accessories stores for matching colors. I beelined straight for Isabel Mediavilla, a local designer who is friendly and helpful when it comes to suggesting possibilities. When she and I had come up with a color palate – dusty purple and gold – it was time to get to work.

Here’s your basic kit:

El Mantoncillo: The Shawl

I always buy the shawl as soon as I’ve got the dress nailed down. These shawls can cost up to 100€ or even more, given that some are hand-painted, hand-embroidered, a mix of patterns and textures. Buying the shawl will help you have an idea of what accessories will pair best.

Some women choose a gargantilla (a choker with flecos, or the long fringe that hangs down) or simple flecos that are sewn to the neckline of the traje de gitana.

Mine: Bought from Raquel Terán (Calle Francos, 4), 75€

La Flor: The Flower

The flower is a gitana’s hallmark, meant to look like a rose or carnation and worn either on top of the head or tucked behind the ear. The flowers are made of cloth and have a flexible “stem” with which to secure it to your head with bobby pins. Flowers can be big or small, but you should probably just go ahead and get a big one if you’ve got “la altura” according to the snotty lady at the Corte Inglés.

Flowers trends change every year, so this is a good place to browse before commiting.

I went back to Isabel Mediavilla, as she has literally a wall full of flowers of every imaginable color and style. I’m going big this year – BIG.

Mine: Bought from Isabel Mediavilla (Calle Francos, 34), 20€

Los Pendientes: The Earrings

In one of my less memorable Feria moments, I let a cheap pair of earrings I’d bought at Don Regalón get the better of me – I pouted when one slipped out of my ears while dancing (hey, the 13€ they cost meant an entire hour’s private lesson!). I love the bold, intricate earrings that women wear during the fair and am constantly looking for ones that aren’t too heavy.

I bought these ceramic beauties, but they’re a bit heavy, and my earlobes may not be able to handle them!

Mine: Bought from El Corte Inglés (Nervión), 23€

El Broche: The Brooch 

Many times, you’ll find brooches that match with your earrings, particularly at the Corte Inglés. A broche is mega important if you’re wearing a mantoncillo, as this will attach the  shawl to your dress and making dancing, eating and drinking hands-free.

Just, please, don’t tie the ends of the shawl together. Spend a few bucks on a brooch and you’ll not regret it!

Mine: Bought from El Corte Inglés, 9€

La Peineta: The Comb

Even in the age of bobby pins and hairspray, many women choose to add plastic or metal combs to their hair. They often don’t serve any sort of purpose, but women wear them just behind the flower or to capture the whips of hair that aren’t shellacked to their skull.

When matching your combs, try and be consistent with your other accessories. If you’ve got plastic earrings, stick with a plastic peineta. Same goes for metal and for colors.

Mine: Bought two years in a chino, 12€

Los Tacones: The Shoes

Although I’d argue that shoes are the least of your aesthetic worries during the fair (they’re covered by your ruffles!), it’s important that you wear something comfortable for all of those hours on your feet. Women opt for espadrille wedges or even cloth flamenco shoes that have a thick heel for support. Calle Córdoba, near Plaza del Salvador, is a narrow alleyway full of zapaterías, so make that your first stop.

Let me just say this – if you’re wearing stilettos, you’ll be doing very little dancing and probably a lot of pouting!

Mine: Bought from Pasarela two years ago, 15€

Lo demás: Everything else

You’ll also need to buy hairspray and bobby pins to secure the flower’s stem and the combs without a doubt. I’ve also got a donut for making a big, thick bun, as well as a fan because this year’s fair goes well into May.

Flamenco Complementos

Some women opt for necklaces, bangles, mantoncillo or no – what it all comes down to is feeling comfortable and wearing your accessories confidently. Remember that the flamenco dress itself is heavy and it can get hot under there!

And no need to wear a purse, as most flamenco dresses have a zippered pocket hidden in the ruffles of the dress. I take the necessities – cash, house keys, my phone and extra bobby pins, safety pins and lipstick.

As for M? I sincrerely hope she went with hot pink. Lo dicho: go big or stay at home!

Want to read more on the Feria de Sevilla?

On my first time buying accessories successfully // The Dos and Don’ts of the Feria de Sevilla // The Music of the Feria de Sevilla

Guiri, Whoa: Buying a Flamenco Dress in Seville

Anda ya! 

Jose Manuel drops his hands in desperation as I paw a gorgeous, pale pink flamenco dress with a cascade of ruffles. No hay quien pueda with this guiri.

Nearly two hours into a search for the perfect flamenco dress, I was more undecided than ever. I got the last one in 2011 and knew immediately it was the right one for me, but this year has my head spinning. Jose Manuel dutifully pulls one dress after another, then hangs them up once I’ve ruled them out.

This flamenco dress business is a big deal.

When the Novio’s mother announced she’d be floating the bill for my traje de gitana this year, I jumped at the opportunity to design my own. I sketched out what I wanted – a one-color, sleeveless dress with three volantes and encaje around the bust and waist to make my boobs smaller and accentuate my small cintura.

I called Taller Los Príncipes to ask about pricing, trying to find something for less than 300€ so that the Novio, his mother and I would all pay 100€ each. The woman started asking me a flurry of questions. How tall was I in centimeters (….uhh…..)? What kind of ruffles did I want? Would I bring my own fabric?

I politely said I’d call back. But I was way in over my head and with not a single seasoned guiri around to help me. In the past, I’d always bought my dresses off the rack and had them taken in (or out) as needed.

A bit of vocabulary so that you understand how confused I was.

A flamenco dress is known around these parts as the traje de gitana, or simply a traje. They’re worn during local festivals like the ferias and romerias such as El Rocío and can cost anywhere from 100€ to 500€, or ever more, especially those that are tailormade.

The dress is composed of a body, sleeves and a train of volantes, or ruffles. Made of tela, you can get high-quality fabric or normal and the detailing is called encaje. Lace is especially popular this year. The seamstress, called a modista, assists you in designing your dress and then sews it for you. The most traditional sort of fabric has lunares, or polka dots, but they can also me liso (one color) or with pattterns.

Next to the academy where I work, there’s a flamenco dress shop that’s only open from January until June. The first day I heard the heavy reja go up, it was a sign. I peered in the windows, lights off, when I opened the school and saw the exact dresses I wanted – lisos, con volantes graduados, encaje por un tubo. One color, big ruffles, details in all the right places. Either a deep magenta, turquoise or a pale green.

Later that week, I eat a light breakfast and showed up at Marqués Diseño de Trajes Flamencas. Jose Manuel is on the phone but immediately introduces himself as he hangs up (on his mother, oops!).

I fumbled for the words to tell him what I wanted. Tú no eres de aquí, verdad?

Stupid accent always giving me away as a foreigner.

He ushers me over to the racks of dresses, each slightly different from the next. Grabbing my arm, he shows me the sale dresses, available for just 175€ – una ganga, if you ask me. They are bold – bright reds and blues – but I shy away from wearing something so loud. Jose Manuel assures me that a pale, blue-eyed person would need something crazy to call the attention away from the Andalusian beauties.

So, verde agua is out.

I show him my sketch and tell him I am dead-set on a single color, to which he scoffs. “Those are dresses for women who have nothing better to do during the fair but sit pretty in a horse carriage and look bored in their casetas.” I laugh, and admit that I am far more likely to drop greasy fried fish on my dress than abstain from eating and drinking so as not to get dirty.

Jose Manuel hands me traje after traje, zips me up, and leads me to a full-length mirror with each one, quick to judge the styles that make me look anything but fabulous. Easy-to-move-in cañastera ruffles are ruled out, as is the encaje that call too much attention to my chest and belly. I soon accumulate a pile of half a dozen dresses to discard (as well as my original design).

As it turns out, Jose Manuel da en el clavo: I am extremely traditional when it comes to flamenco dresses. I need color, lunares, volantes, a classy dose of cleavage and tight in all the right places. After narrowing the field down to two thanks to the miracle of whatsapp groups and my American friends, trying them on with a shawl and pulling my hair back to get the full effect, I make a decision before even asking the price.

It’s the tronillo design (pictured on the left and only 220€!) and in a size smaller than I usually get, and we set to the task of selecting the colors. What sets many dresses apart, even with a similar design, is the color chosen and the small details in the encaje. I already have a celestial blue dress with cream and coral accents, so I wanted to go bold.

Choosing the color palate for the dress takes nearly as long as trying them on. I hold up square samples of color, searching for the right combination, peruse back through the racks for inspiration. The smaller lunares, called lentejuelas, are better for big busts because they draw less attention to that area, so I stick with the pattern combination of the original dress I tried on and decide on turqoise. I momentarily consider a paisely, but Jose Manuel’s side eye when I mention it sets me back in place.

A week later, Jose Manuel raps on the window of the academy and asks if I could step out to OK the color patterns and pay a deposit on the dress. The original color I had in mind was not available, so he chose a shade darker, a bit more towards a green hue. I sign the receipt, paid 40€ and quickly scamper over to the academy (those ruffles start at the knee and make it hard to move swiftly) to have María José give me the thumbs up.

Jose Manuel hands me my receipt and says, “un mes largo” for the dress to be ready for its first fitting. Starting three months ahead of time means I’ve got a buffer for those extra weeks in a long month, but true to form, it is five weeks to the day. Nervously, I pulled the fabric over my hips and zipped it into place. It needs to be taken in a bit in the stomach and hips (success!), but it’s perfect.

Traje de Gitana

Chicas, have you ever bought a flamenco dress in Spain? Need help with your complementos? Click here for a guide to buying accessories! 

 

Spain Snapshots: The Carnavales de Cádiz

If andaluces are considered Spain’s most affable folk, it’s believed that the gaditanos, those from Cádiz, are blessed with the gift of wit. At no time in the year is this trait so celebrated as during the Carnavales de Cádiz.

Based (very) loosely on Venice’s extravagant Carnivale, this pre-Lenten festival is a huge tourist draw in Andalucía in which choirs, called coros, entertain city dwellers from flatbed trucks around the historic center. There’s also a song competition between chirigotas, or small, satirical musical groups who compose their own verses about whatever happens to be controversial each year.

But because it’s before Lent, why not add a pagan element to the festivities? Cádiz’s city center fills with young people who dress in costumes and carry around bottles of booze on Saturday night.

My first Carnaval experience was insane – partying with my Erasmus friends from Seville and Huelva, dressed up as an Indian with a kid’s costume I bought for 8€, endless amounts of tinto de verano and strong mixed drinks. I even ripped my shoes up on the broken glass that littered the streets.

Returning home at 6am and pulling into Plaza de Cuba just before 8, I slept the entire day, waking only for feul and a groggy Skype date with my parents.

Carnaval, you kicked my culo (but I blame the cheap tinto de verano).

For the next few years, I happened to always be out-of-town for the festivities (though I did make it to Cologne for their classed-up Carnival). In 2011, I joined a few friends, this year dressed for the weather and better rested.

The serpentine streets that wrap around town hall, the port and the cathedral held even more people than I remembered, pre-crisis. Like the chirigotas, revelers dress in sarcastic guises, or something that pokes fun at politicians or current events.

In 2011, everyone was hasta el moño with the government limiting freedoms, like pirating music and driving too fast on the highway. My personal favorite? When costumes are scandalous and obnoxious. Case in point: 

Being smarter this time around, we spent the night making friends and reliving our college days. No broken glass, lost friends or cold limbs!

Interested in attending the Carnavales?

March 1st and 8th are the huge party nights in 2014. Be sure to reserve travel and accommodation as far ahead as possible, as the city of Cádiz is quite small and everything gets booked up quite quickly. It’s not advisable to go by car, as parking is limited. You could also get a ticket with a student travel company and stay up all night.

Bring enough cash, as ATMs will run out of small bills, and you’ll probably be tempted to buy something to snack on from a street vendor. Dress for the weather – the nights will get chilly along the coast.

You can also consider attending a less-chaotic carnival in other towns around Spain, like Sanlúcar de la Barrameda or Chipiona. Plus, the choirs and chirigotas are a treat, and there is plenty of ambiance during the daytime.

Love festivals? Check out my articles on other Spanish Fiestas:

Spain’s Best Parties (Part 1) // The Tomatina // The Feria de Sevilla

Seville Snapshots: The Cabalgata de los Reyes Magos in Triana

If you’ve ever dreamed of candy rain (circa the Candy Coated Raindrops song from the 90s), you have a date with destiny on January 6th: The Cabalgata de los Reyes Magos. The Three Kings Epiphany parade has got to be one of the goofiest but most beloved traditions for the expat community in Spain, where enormous floats laden with kids pelt candy and small, plastic toys at bystanders (and if you’re lucky, 100 grams of the good jamón).

There is hardly a trace of Santa Claus in Spain, as children believe that they receive their toys from the Three Kings who brought the Baby Jesus his gold, frankincense and mirth. Coming from the Orient by camel, Gaspar, Melchor and Balthasar parade through the city on the eve of the Epiphany. After binging on Christmas sweets, families then gather to eat Roscón de Reyes, a flaky fruitcake laced with whipped cream.

I usually stick with a gin and tonic and ride out the candy storm, venturing out with an overturned umbrella to catch a few sweets for me and the Novio.

If you’re interested, the Cabalgata through Triana begins at 5p.m. this evening, a day later than normal. You can find the schedule here.

Want more? I wrote about Triana’s cabalgata last year, when my friends convinced me, on a candy binge, that it was a good idea to stay out until 6am. Jerks.

What happens at the Weis’n: Oktoberfest, a Beer-Lover’s Dream

A three a.m. wake up call two days in a row – first to drive to Málaga and catch a flight to Frankfurt, and then to pull on a dirndl, braid my hair and brush my teeth.

Ja, I was on my way to Oktoberfest, echoing my college days when I would get up at dawn to tailgate and slam a beer on Melrose Avenue as the sun came up.

The Weis’n was like a full-blown, Bavarian style Feria de Sevilla – tents that were difficult to get into, carnival rides operating around the clock, vendors selling all kinds of local fare that filled the air with scents of smoked sausages and fries.

Have I died and gone to beer-lovers heaven? Ja.

Christyn and I arrived to the enormous complex shortly before 11am. Knowing the weekend would mean an influx of tourists and reservations at beer tents, we beelined directly to where the line seemed the shortest, the Löwenbräu tent. An enormous plastic lion with a mechanical arm was drinking more beer than we were – we learned that once the reserved tables were full, we would have to wait with the other tourists, as the bouncer with a scary-looking neck tattoo who looked like he’d never eaten anything but bratwurst and sauerkraut would only let patrons in when others came out.

Even in Spain, an orderly line would form, so what’s with the Germans letting the entrance be a free-for-all wherein the scary doorman chooses how desperate or thirsty or Bavarian you are?

After 40 minutes, we were led to a long wooden table outdoors. Being late September, it was chilly, but the heat lamps and constant toasts and chants kept us moving about and a bit warm. I borrowed a friend’s dirndl, carried a cardigan and wore two pairs of tights, and thanks to the large amount of beer I drank, had few problems keeping warm.

Once inside and seated, the busty server slammed a litre beer down for each of us at a cost of 10€. The heavy glasses were empty before we could even order a snack (an enormous pretzel, exactly what was missing in my guiri life). Only five types of Munich-based beers are allowed to be served, and of the several we tried during the course of the day, Lion’s Brew was my favorite.

After two enormous beers and getting creeped on by some Italians at the table over, Christyn and I needed to go to the bathroom. I was relieved to see that the German efficiency at the door (as in, lack thereof) was back when it came to the women’s toilets, but mainly because the entire beer hall was rocking – a lederhosen-clad band was playing German folk songs and Sweet Caroline from a raised stage in the center.

I knew we wouldn’t get beer unless we were seated somewhere, but Christyn had already taken care of that problem. A few locals scooped us up and squeezed us into their table. They were already standing on the wooden benches, rocking out, and invited us to some food and topped off our steins.

The interior of the tent was like a raucous mess hall of school cafeteria. I felt right at home. Case in point:

In need of some fresh air around 2pm, we walked towards the carnival rides, past booths with the traditional tirolerheut hats and lavishly painted steins. I somehow convinced a local to ride on the rollercoaster with me when my cousin refused to lose her pretzel and the gingerbread cookies we’d snacked on. I got a glimpse of the entire Teresenweise – the place was enormous. Then, it was over the hill and plunging back towards the ground.

The rest of the day passed in a haze – the beer sold a Oktoberfest is stronger than the beer served in local bars – but we were befriended at another tent where we (thankfully) could not get another beer. After currywurst and a sudden downpour, we were tuckered out and found a little Indian restaurant for a bowl of warm soup and a litre of water – my first of the day.

I’ll be back in Munich for two days in December. Apart from the beer and Christmas markets, what else should I see? What should I eat? Where should I stay?

Practical Advice for Attending Spain’s Messiest Festival, la Tomatina

If I could live on one food for the rest of my days, I would choose the tomato (or maybe ice cream…just not tomato ice cream). Like Bubba Gump can eat shrimp in every which way, I’m a huge lover of the perfect fruit/vegetable/I don’t even care and easily eat them daily.

Then, say you, what happens when my friend convinces me to hop a flight to Valencia to attend the Tomatina, a tomato chucking festival and one of Spain’s most well-known fêtes?

You say tomato, I say HELL YEAH!

A Brief History of La Tomatina

Buñol, a small village just a half hour’s drive from Valencia, has been practically half-asleep for its history. In the mid 1940s, however, a group of youngsters wanting to demonstrate during the town’s festivals grabbed a bunch of tomatoes from a local frutería and began throwing them. The following year, they did the same. Since the early 1950s, the town hall has allowed revelers to chuck tomatoes (grown in Extremadura and unsuitable for eating) on the last Wednesday of August.

The Tomatina is now considered a Festival of Touristic Interest – so much so that the town decided to limit the entrances this year, allowing just 20,000 tickets to be sold to help pay for operating costs, including clean-up and security. About 5,000 of these were reserved for the residents of Buñol.

Getting to Buñol

The town of Buñol is located about 40km inland from the region’s capital of Valencia, cozied up to a mountain. Served by the regional RENFE commuter trains on the C-3 line, you can arrive to Buñol’s train station (if you can call it that) in 45 minutes. The station is located at what locals call ‘Buñol de Arriba,’ or the part of the pueblo on the hill, and there are plenty of places to buy souvenirs, leave your bag at a local’s house in exchange for a few bucks, and grab a beer or sandwich.

In the end, we decided to take a tour bus, which promised round-trip transportation and safe-keeping of our belongings. Though Kelly and I made an effort to speak the bus driver to get an idea of just how safe the bus would be in the middle of a festival of drunk guiris, we watched the bus pull out 20 minutes before the assigned return time, and we were forced to wait 90 minutes while it went to Valencia and came back for us. We had decided to take our bags with a change of clothes and snacks with us and store them at a local’s house, thankfully, or we would have been cold and stinky for hours. The organization was terrible and not worth the 35€ we paid for the entrance, transportation and luggage storage. If we did it again, we’d take the cercanías train.

Keep in mind that you can’t just show up to the Tomatina after this year – revelers are required to pay a 10€ entrance fee, and only 15,000 tickets are allocated for visitors. While there was outcry that the town hall of Buñol has privatized the festival without debate, I personally thought this was the best way to make the party accessible and enjoyable.

The Clothing and Gear

Rule of Thumb: everything you wear to the Tomatina will be covered in tomato gunk and stink, so be prepared to part with it once the tomato slinging is done. I threw everything away but my swimsuit!

Kelly and I made a run to Decathlon for a plain white cotton T, elastic biking shorts, a swim cap and goggles. You’ll see people in costumes, in plastic rain coats, in swimsuits and the like. We also bought disposable waterproof cameras, a small wallet for our IDs and health insurance cards and paper money, which we put into plastic bags.

I was surprised to see the number of people with GoPros. Having gotten mine for the Camino and then unpacking it for sake of weight, I wish I would have had it on me. Word on the street is that you can get relatively cheap cases for your DSLR or point-and-shoot, so consider it if you want better pictures than this:

Without fail, you should bring a change of clothes. Most townspeople near the center of the village will let you use their hoses for a minimal fee, but wearing wet clothes in damp weather won’t do you any favors. I brought a simple dress and a pair of flip-flops for the after party that rages on all afternoon, as well as a bottle of water and a sandwich. Food and drink is available in Buñol, and for cheaper than the Feria de Sevilla!

The logistics of La Tomatina

There are two parts to the city of Buñol: la de arriba (upper Buñol) and la de abajo (lower Buñol). Kelly and I got a call from our friend Gatis just as we pulled into the parking lot. Scoping out the party, we assumed we were near the entrance, so we told him we’d meet him at the gates in 10minutes, after we dropped off our bags.

Turns out, the village is a lot longer than we thought, and it took us far longer to get there!

When you sign up for the Tomatina, you’ll be given a wristband that you must show to access Plaza del Pueblo, where the action takes place. You then have to walk about 500m downhill towards the castle, passing food stands and bars, before arriving to two of four access gates. Show your wristband, but not before going to the bathroom – there is NOWHERE to pee once you’re in Buñol de Abajo.

Shortly before 11am, one of the townspeople participates in the palo de jabón. Climbing up a wooden pole slicked with soap, the trucks can officially pass through once the pueblerino has reached the top and hoisted the ham leg, which sits at the very top, over his head. Five trucks carrying tons and tons of tomatoes will pass through once a siren has been sounded. Participants understand that they cannot throw anything but tomatoes (which you should squeeze first to avoid injury), and only between the sirens signifying the beginning and end of the event, which only lasts one hour.

Those who live in the city center board up their houses and drape plastic sheets over their facades, though they’re quick to douse you with water after you’re finished. Call them campeones – they’ll hit you with water first.

The majority of the after party from what we could see is held in the part of the town uphill. There was music, beer and sausages. Had I not been so cold and smelly, it would have been my happy place.

The Experience

I can’t say that experiencing La Tomatina was ever on my Spain bucketlist (and neither is San Fermines, so don’t ask if I’ll ever go to the Running of the Bulls). But when a week with nothing to do, a cheap place ticket and an eager friend suggested going, I figured this would be my one and only chance to do so. Am I glad I did it? Most definitely, but I’m not planning on signing up for it again.

That said, it was a lot of fun. Being crunched up between total strangers, mashing tomatoes in their hair and putting it down the backs of their shirts, swimming afterwards in what was essentially an enormous pool of salmorejo, was serious fun. Belting out Spanish fight songs, squashing the fruit so as not to hurt anyone when I pelted him with it. The water fights, the after party, the townspeople who so graciously gave us their gardens and their hoses to use (Luisa, I’m looking at you, and we owe you a bottle of your beloved fino). I even found the downpour just before 11am to be hilariously good fun.

Have you ever been to the Tomatina, or are you interested in going? What’s your favorite festival in Spain – have car, will rock out – y’all know me!

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