Sampling La Bulla

Here’s a piece of advice: go to places where you know the chef.

Kike’s been prodding me to go to both Oveja Negra and his friend Jesús’s bar, La Bulla, for ages. For someone who staunchly refuses to go to the city center for the crowds and traffic, I was happy to oblige him. La Bulla is the center’s answer to La Pura Tasca, a gastrobar worthy of a mention. At La Pura Tasca, I was the neighbor down the street who was always given a morsel or two as I passed by.

Now it was Kike’s turn to wow me.

When we called to speak with  one of the waiters, he told us to pass by around 10pm. In reading the reviews online, I was a little skeptical about a place with “overpriced tapas at half the size” and poor service. Scrolling for one semi-positive review took a few clicks of the mouse, but Kike had his mind made up.

Good thing he knows the chef.

After our traditional pre-dinner beer, we strolled past swanky tapas places that line C/ Arfe. La Bulla is on Dos de Mayo, wedged between the bullring and the Maestranza theatre, just steps away from the river. The neighborhood, El Arenal, has become preppylandia, thanks to its cocktail bars and upscale dining options, as well as age-old abacerías and ultramarinos, and this dining mentality that given La Bulla it’s much-talked about reputation.

A coworker had told me that the place had a NYC-like vibe due to the exposed pipes, mismatched picnic tables and mod chairs. I marveled at the red-doored ice chest, similar to one we have at home in America. There was a quiet buzz amongst the clientele.

¡Buenas, Cat! I had been admiring four antique mirrors on the wall when I discovered that not only was the chef a dear friend of Kike’s from childhood, but so was the waiter. David had run a successful chiringuito in their village of San Nicolás del Puerto and was now explaining apple compte reductions to eager eaters. Beaming, I sat purposely with my back to the chalkboard menu.

There was no question about it for me: I wanted whatever was good and came recommended by the staff. I sat in a comfortable red chair, a color theme echoed throughout the restaurant’s cavernous interior. metallic greys and silvers meshed seamlessly with fire engine red.

Our first dish came served in a soda fountain glass. “Prawn in tempura with an apple-orange foam, topped with sesame seeds…” David recited the same speech he’d just given at the next table with an amusing voice, even switching to English for me. By this time, I’d already swatted Kike’s hand away to take a photo of it and its partner in crime, a so-named golosina de La Bulla. At the end of a long pincho came a juicy medallion of chorizo fried in tempura with a touch of the salsas. I greedily fished the whole-grain bread (where do that get that stuff in this town, anyway?!) out to sop up the juice.

Flashing a thumbs up at Jesús, I said, My compliments to the chef! The tastes were traditionally Spanish with a twist, just as Jesús is Spanish with an American twist. His father, Diego, runs a campsite and rustic restaurant in San Nicolás. After studying and working at the renowned Taberna de Alabardero in Sevilla, Jesús went to Washington to learn techniques and work alongside some of America’s best chefs, and this is evident in his cooking.

Our chef sent a bruschetta our way next, paired with a fried fish, again in tempura with the creamy apple sauce. David announced that the bruschetta was carpaccio de salmón with steamed bits of octopus and a plum cherry. I tend to not like salmon, but the texture between the thin carpaccio and the coarse sea salta made the morsel tangy and sweet all at once. The merluza next to it was crispy but bland, comparatively, and helped me prepare for the next dish, which was one of the most inventive I’ve seen in Seville.

David served us another soda glass with what looked like cinnamon ice cream. ¨Foie gras in a foam cream with raisins and candied fruit,” he announced, setting the pack of regañá, a flat, crispy bread, in front of me. My eyes widened, never having eaten anything like it before. The blend of tangy and sweet was overpowering, balanced by the regañá. While foie is not something I eat on a regular basis, Kike and I fought like kids for the last morsels, scooping what we could onto the bread.

“This is like Seville’s version of El Bulli,” Kike said, mouth full. Spanish cuisine was put on the map by Fernan Adrià, whose creative genius turned earthy, simple Spanish cooking into an inventive palate. Just last year, his restaurant – considered one of the best in the world – closed so that Adrià could open a food studies school. I don’t care whose version of El Bulli it was – La Bulla was exceeding my expectations.

Jesús put his hands on the wide bar next to us. “Fish or meat?” Feeling already full, we agreed on the fish and got the surprise oft he night: David cooked us a creamy parmesan risotto while Jesús set out to prepare our fish. To my delight, it was one of my favorites – octopus, which rested on a bed of au gratin potatoes and was covered with a light saffron sauce. Good enough, in fact, that Kike even talked with his mouth full to give his complements.

Struggling with the last morsels of both dishes, Kike announced he needed a smoke. “Pssssst” I whispered to David, “bring me that desert tablet!” Like La Pura Tasca, the desert came in minis, looking like sliders, and were served on a wooden cutting board. Instead, he brought two dessert wines which were less calorific and even better on my full tummy.

I’ll just settle for next time – after all, I know the guy who runs the joint.

La Bulla     Calle Dos de Mayo, 28     954 219 262

Seville Snapshots: La Giralda

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The Moors had control over a large portion of Spain for some 400 years before the fundamentalist Almohad Dynasty built the Giralda in their most-favored city in al- Andalus. Originally a minaret to the mosque in Sevilla, Catholics repurposed the Giralda after capturing the city in 1248. It was modeled on the minaret of the Koutoubia Mosque in Marrakech, and symbolized both the power and piety of the Almohad Dynasty. After a series of architectural alterations and additions following the capture of Sevilla, the Giralda now stands as a symbol of Spain’s rich cultural heritage and its long, victorious struggle against Islamic rule on the Iberian Peninsula.

Taken on an unusually cloudy day in the summer of 2011, this photo details the upper third of the tower that was added during the sixteenth century.

Text and photo © A Painter of Modern Life (http://apainterofmodernlife.wordpress.com).

Twitter: www.twitter.com/apoml Facebook: www.facebook.com/APainterOfModernLife

If you’re new here, check out my first two entries in a series on photogenic Seville, which will be posted every Monday. If you’d like to participate with your photos from Spain and Seville, please send me an email at sunshineandsiestas @ gmail.com with your name, short description of the photo, and any bio or links directing you back to your own blog, Facebook page or twitter. Don’t forget to follow Sunshine and Siestas on its new Facebook page!

Seville Snapshots: The Battle of the Towers

My life has been lived next to rivers. Every home I’ve ever known has been in a city where the river runs through it, so it was no question I had to find a place blocks from the Guadalquivir when I moved to Seville. From the Triana side of the city, the commanding skyline had very few blips, just the spires of churches, the Giralda tower and the Torre del Oro, where gold was kept during the New World Exploration. Nowadays, the tower hosts a small naval museum (with free entrance every Tuesday) and is a reference point for the city.

But that may all change.

Further up river, the construction of the Torre Pelli has the UNESCO up in arms. In fact, this skyscraper will effectively change the city skyline the way the setas did a few years ago, and the organization is threatening to put Seville on their blacklist and strip the Cathedral, Alcázar and Archivo de Indias of their world heritage status. During a visit in January, the organization effectively called for the construction to be halted, and even at only half its height, it makes a statement.

Do you think skyscrapers are right for Seville or small Spanish cities? Many thanks to Fiona for her insight via the Andalucía Blog!

If you’re new here, check out my first entry in a series on photogenic Seville, which will be posted every Monday. If you’d like to participate with your photos from Spain and Seville, please send me an email at sunshineandsiestas @ gmail.com with your name, short description of the photo, and any bio or links directing you back to your own blog, Facebook page or twitter. Don’t forget to follow Sunshine and Siestas on its new Facebook page!

Baa, Baa Black Sheep: Sampling Ovejas Negras Tapas Bar

My friend Lindsay, fellow sevillana in a past life, has my back when it comes to new places in Sevilla. While catching up after Christmas over rebajas shopping, she practically dragged me to Plaza San Francisco to try a new restaurant she’d heard about called Ovejas Negras, Black Sheep.

I fully admit to loving the traditional bodegas and old man bars in Seville, where the tortilla is fluffy and the service always candid. Lately, however, as tourism keeps this country afloat, more and more gastrobars have been popping up in the city.

I thought back to living on Calle Numancia in the bustling Triana neighborhood. To Rafa and the crew, I became la vecinita, the neighbor, and often filled my belly on balmy summer nights with a finger or two of wine and some cheese. La Pura Tasca’s fresh take on mixing ingredients and inventive design left me craving some more modern.

Places like La Azotea, Zelai and the newer Robles Restaurant (reputed to be the best food in Seville) are now rubbing elbows with age-old eating establishments and tucking into the narrow, cobblestone streets of the old quarter. From first taste, I was hooked.

Located in the shadow of the commanding Puerta del Perdón of the Cathedral, Ovejas Negras is anything but the black sheep of the restaurant family. It stands apart from the multitude of tourist shops and rental apartments and pays homage to Seville’s old ultramarinos store, a shop where you could buy everything from powdered milk to meats by simply taking a number and waiting for the man behind the counter to fill your order. Typical Spanish products line the crude wooden shelves behind the bar, where, as tradition dictates, the bartender will ask “Quién es el último?” and take your order.

Traditional Spanish tapas show up on the clipboard menus, but the beauty of Ovejas Negras is the mix of new and international cuisine. I, like Lindsay, have taken so many people back to Ovejas Negras that I’ve already got my go-to list of favorites at the bar: creamy risotto with wild mushrooms, a french bread pizza with rucula and parmesan, spicy papas bravas and, per usual, a cold Cruzcampo.

The atmosphere in the place is always lively, and last night we were lucky to grab a spot at the bar, under Bonilla a la Vista potato chip canisters and Mahou bottles. Our plan was to introduce my visitors, Dave and Melissa from my high school days, to the tapas tradition, but the bright lights of the bar and the array of choices meant we’d get our fill just be ordering based on what our eyes and noses drank in.

When I could say that I was the next in line to order, I carefully recited what was on everyone’s list to try: wooden bowls of papas bravas, an eggplant and rucula sandwich, fried fish with an accompanying cream sauce, the risotto and small, sweet and sour empanadillas. The conversation flowed like the beer over the bustle of the street outside for the Corpus Christi celebrations. The portion size of the tapas is big enough that two-three between two people is typically enough, though I could have found room in my tummy for the not-so-mini hamburger or even a slice of cheesecake.

Later that night, we found ourselves at roof where Melissa asked for the kitchen menu. “Just wanted to see if the papas bravas here were any better!” she quipped before ordering them. Could the answer be any more obvious?

Ovejas Negras is located in the Antiguo Bodegón Pez Espada on C/ Hernando Colón, 8, just between the Town Hall and Cathedral. Hours are Tuesday – Sunday 13:00 – 17:00 and 20:00 – 00:00. Closed Monday. Tapas from 2,50€. Menu also available in English.

Been to Overjas Negras? What did you order, and what did you think? Know any worthwhile bars to try in Seville? Want to come with? Let me know in the comments, and I’ll get eating!

Seville Snapshots: Pasaje de Miguel Mañara

Remember learning idioms as a kid? Trying not to laugh when thinking about looking at a horse in the mouth, or having it come straight from another horse’s mouth? My kids have been trying their best to describe, with their limited English, what the meaning of “when the cat’s away, the mice will play,” and it doesn’t help that their teacher shares the same name.

Of all the idioms I use, both in English and Spanish, “A Picture is Worth 1000 words” is perhaps the truest. My mind makes mental snapshots on the daily, drinking in what I see around me. A horse-drawn carriage drinking water at a fountain. Ready, aim…click. Solemn Semana Santa processions, a black-cloaked nazareno looking at me with piercing, passionate eyes. Click. Seville is a city whose worldly delights can make immaculate photos, so part of my new project will be to show off this place through photos that bring to mind far more than 1000 words. I’ll try and limit it to 100, though.

The key to appreciating Seville is to look up. Looking up provides a glimpse of the martins circling over the buttresses of the cathedral, affords a whiff of jasmine or azahar, allows you to trip over the uneven concrete of a city whose history precedes it. Looking up means snapping a photo of the tiled underbelly of a balcony, catching glimpses of life for the thick-skinned sevillanos. Without this vista, the city is what it is – touristy, full of souvenir shops along Avenida de la Constitución. But just looking up, to the shuttered windows of the old quarter, the preserved minaret towers, now replaced with bells, and the blue sky that is ever-present in the Andalusian capital, makes the city as romantic as its mantra claims. No me ha dejado, not with views like these. Photo taken from Pasaje de Miguel Mañara.

If you’d like to participate with your photos from Spain and Seville, please send me an email at sunshineandsiestas @ gmail.com with your name, short description of the photo, and any bio or links directing you back to your own blog, Facebook page or twitter. Don’t forget to follow Sunshine and Siestas on its new Facebook page!

Death in the Afternoon

Like it or not, bullfighting is intrinsic in sevillano culture. Hemingway’s favorite pastime is both hemmed and hawed and considered a great art form, but this piece of southern folklore is alive and well in Seville’s Maestranza bullring, which hosts some of the most revered festejos and brings in the biggest names in bullfighting.

Aside from the gory part of bullfighting, I personally love the image of a bullfighter. Slight body, slicked, jet-black hair, traje de luces glimmering in the afternoon sun. What’s more, the plaza de toros in Seville is de leyenda – the mustard yellow and white colonnades offset the bluest of skies and the yellow albero dirt that lines the elliptical plaza. The pomp and circumstance of the whole thing is as breathtaking as a Virgin passing silently over the Guadalquivir River during Holy Week, alit with candles. And, really, I just wanted to bring Camarón along to get closer.

We enter the gates of the Maestranza by way of a narrow, uphill alley, the same the bullfighters take past snapping camera flashes. The toreros are celebrities in their own right – rich, often handsome and ready to face death by way of a 500-kilo animals with two piercing horns and plenty of mala ostia. Our seats are in the sol – sunny – section, but the cloud cover in the late afternoon means we’re pleasantly comfortable and have paid 20€ less for the event. People surround us on all sides – old men in caps with their grandchildren next to them munching on sunflower seeds, wealthy sevillanos with sideburns and fancy seat covers, guiris like us with cameras poised.

The clip clop of horses sounds in the inner bowels of the arena below me. Pages with long plumes enter the ring as the band plays from high in the sombra section. They present their hats and the bullfighters enter gallantly, a cluster of photographers crouching as the toreros gaze at the crowd before them.

We’ve come to a novillada, where young bullfighters gain experience on smaller bulls and often in bullrings of a lesser division. But here, in the Maestranza of Seville, the bulls are agile, strong and weigh in at almost 500 kilos. We’ll see each – Conchi Ríos, Emilio Huertas and Álvaro Sanlúcar – fight two bulls. One of the opponents will die, and the other survive.

At 7pm sharp, the Puerta Gayola opens and the sounding of two cornets pierce the silent arena. Out comes Medialuna, and his statistics are announced on a placard over the door. Despite his size, he seems a bit flojillo as Conchi measures him up. Bullfighting is traditionally a male sport, but Conchi is treated equally, her cuadrilla or band of picadores, banderilleros and mozo de espada as grand as any. Using a heavy pink and yellow cape, called a capote, they measure the bull’s strength though a series of passes known as a verónica during the first third of the act. Conchi has a matador’s body and only the lavender colored ribbon in her hair gives away her gender.

The clip-clopping commences and the picaderos enter the ring through a gate adjacent to our seats. Fully armored, the horses are blindfolded and I cringe as the whole weight of the animal nearly knocks over the horse. A long rod with a hook on the end is driven between Medialuna’s shoulder blades. Conchi’s banderilleros, the three men designated to put the small flags into the bull’s mighty back take wing. The second act of the tragedy comes at a price – the bull is weakened due to the loss of blood, and it seems certain that he will meet his end. The small banderillas are fashioned after the Spanish, Andalusian and Murcian flags, paying homage to Conchi and her cuadrilla (from the region of Murcia) and the plaza.

Once the banderillas have been fixed, making the bull look as if it had won ribbons at a state fair, Conchi takes off her montera hat, saluting to the crowd. Now comes the final faena of the fight, where she manuevers the muleta, a small red cape, around the bull, using short grunts and movement to make the animal barge towards her. Though the animal passes far away from her, I’m intrigued by her foray into the sport.

Her first attempt to drive the sword between the shoulder blades, thus severing the main artery and killing the bull as cleanly as possible, is unsuccessful. Before the day is out, we’ll see five more bulls from the novilleros all hoping to present themselves as full matadors in the coming years. Álvaro Sanlúcar has a baby face and seems unsure of himself at times, while Emilio Huertas is so convincing in his second faena of the day, the band finally starts playing a paso doble as he puffs out his chest and taunts the creature.

“Oh, he’s going places,” says Cait, our resident toro aficionado. His faena is flawless (well, to me) and his efforts earn a standing ovation from the crowd. I take a kleenex out of my purse and wave it in the air, a petition to the judges to award him a special prize – an ear for his bravery and artistry. The ear is cut, and Emilio humbly takes it. Patting backs and hugging commences as he holds it triumphantly in the air and walks slowly around the ring. Fans throw flowers, hats and even painted fans at the young torero.

Placing his montera back on his head, he catapults himself out of the ring and leaves the last bull of the evening to Álvaro. He’s a fierce one who charges as soon as he catches movement. By this point, I’m already thinking about dinner (and I love bull tail, for the record). The trio walk slowly back out of the gate designated for them when it’s all over, symbolizing their triumph over death.

Not to add fuel to the fire, but have you been to a bullfight? What are your impressions of it? If you’re not into the gory stuff, please vote for me on Kaplan’s How to Teach English blog competion. My entry appeared on this blog last week, and your vote here with my name and blog URL could mean a free iPod for you, too!

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