Seville Snapshots: The Life, Death and Rebirth of an Orange Tree

A round lump rests each year at the bottom of my stocking. This gift, a California orange, is something we get every year from my grandfather, who signed us up to get a huge crate every December, even though he’s been gone for years.

It’s hard not to think of him when I see the beauties growing on the trees just outside my door. A dull smack, and one hits the ground rolling. While they’re not to be eaten in Seville (they’re used to make bitter marmalade), we often pick them up and make a cheap air freshener out of them. Just like a bullfight is characterized by three acts, culminating in the final faena, so is the life and death of the naranjas, whose final rebirth is a fragrant flower called azahar.

Orange trees enjoy the temperate, rainy winters in Seville. Come mid-February, the thunks become more frequent as workers use metal poles to dislodge the naranjas from their trees. The fruit is then gathered into large crates or burlap sacks and shipped off to Merry Old England.

Within days, the springtime rains bring along the small, silky buds that pop out amongst the waxy leaves. Sometimes they open early, filling the nighttime with a clean scent. My Irish friend claims they always come up around St. Patrick’s Day, so my nose has been upturned for the last few days, waiting.

Like all things springime in Seville, the azahar petals fall to the street within a few weeks, and the tempratures shoot up into the high 20s. The azahar is overpowered by incense from the Holy Week parades, and then by fried fish and sherry during the April Fair.

My friend told me that if I liked Seville during the Autumn and Winter, I’d swoon in the springtime.

She was right.

Andalusia: A Love Letter in Photos

The immortal Amigos de Gines sing, Andalucia es mi tierra, yo soy del sur. Andalusia is my home, I’m from the South. While I can’t claim to be a full-blood sevillana, I have certainly grown to love my adopted home. My skyscraper-dominated landscape at home now has just church spires and the Giralda piercing the sky, my all-beef hot dogs replaced by acorn-fed ham.

Tomorrow is Día de Andalucía, the day in which Andalusia was ratified as an autonomous state within the newly formed Spanish Republic just 33 years ago (fun fact: Andalusia is six months younger than the Novio!!). We get a day off of work, and many private places open their doors to the public, like the Town Hall or the Congressional Palace.

And why not celebrate? This is the land that has given us the Iberian Lynx and Jerez Stallions, given rise to Antonio Banderas and Paz Vega, cultivated olive oil and sherry. García Lorca wrote homages to his native land, Washington Irving made the Alhambra famous, and Velázquez and Picasso left Andalusia to become two of the most famous Spanish painters in history. Steeped in history and architecture, folklore and culture. Columbus set sail for La India from its very shores, and the last Muslim emperor was expelled from Granada, signalling the reconquest of Spain. Camarón put flamenco on the map from his chabola in San Fernando, while David Bisbal rocketed to fame with the pop hit, Bulería. It’s a place where a si, claro because a ahi, aro illo!

My visual homage to lovely Andalucía:

The landscapes and cityscapes

Seville

Granada

Santa Cruz, Sevilla

Estepa (Seville province)

The beach at Bolonia and ruins of Baelo Claudia

The pueblos blancos, or white villages

Tarifa (Cádiz)

Iglesia del Carmen, Zahora de los Atunes (Cádiz)

The food and drink (and la marcha!)

The folklore and culture

La Manera de Ser

Have you ever visited Andalusia? What do you like about this region? Can you believe I’ve actually never been to Jaén or Almería?

Seville Snapshot: Afternoons in the Plazita

Can I confess I love that my breath still sometimes gets caught in my throat in Sevilla, even five years after moving here? Or that even seeing the Giralda’s soaring spire makes me stop and admire?

One place I really love in a Spanish community is the plaza. It’s more than a landmark – it’s always a meeting place, a catwalk, a social center. I remember when Plaza Nueva was just a big roundabout. Thanks the the ex-mayor giving it a pedestrian makeover, the square just in front of the town hall, has become a hotbed for celebrations, rallies, artisan markets and tour groups.

I just prefer it when the kids are chasing one another on their scooters and the abuelitas are just feeding the pigeons, waiting.

What are some of your favorite plazas in Seville, or Spain? 

Got a photo of Seville or Southern Spain to share? I’d love to see it! Send me the photo to sunshineandsiestas [at] gmail [dot] come. Look for a new photos every lunes.

Seville Snapshot: The Cabalgata de los Reyes Magos

Not too many years ago, I asked my high school students what the Reyes Magos had brought them. In the midst of a financial crisis, I was shocked to hear they received computers, souped up cell phones and other goodies.

After all, Santa Claus and his team of reindeer don’t have any Spanish children on their list because Spaniards have the tradition of the Reyes Magos, or the Three Wise Men of the Orient. They roll into town on big floats, called carrozas, and Melchor, Gaspar and Balthasar pelt everyone from the little kiddies to the abuelitas who elbow you out of the way with hard candy and small gifts.

I usually watch the floats on Calle San Jacinto from the refuge of Java Cafe, occassionally venturing into the crowd-choked streets for a better view or a few pieces of candy that have fallen between hands, bags and upturned umbrellas and onto the ground.

This year, as the Novio is still away, I watched the city parade and its 30 floats from the front row with some friends. Grabbing candy off the sides of floats, I nearly got my head taken off by the parade of horses, brass bands and floats as my shoes became sticking from the crushed candy under them.

I took loads of great pictured from right in the front, but I can’t seem to get them off of my camera! No worries, I’ve got fistfuls of caramelos!

Got a photo of Seville or Southern Spain to share? I’d love to see it! Send me the photo, along with a short description of where you took it and links to any pages you’d like included, to sunshineandsiestas [at] gmail [dot] come. Look for a new photos every Monday, or join me at my Facebook page for more scoop on El Sur! What’s your favorite Spanish holiday tradition?

For the Love of the Dove: El Rocío

I’ve never been one for Bucket Lists, but often set travel goals for myself. When I was 20, I decided to do a 25 before 25, making a list of my top-five destinations when I moved to Spain two years later. Twenty-twelve meant no resolutions, just a few ideas for travel goals during 2012: one new country, one off-beat travel activity and one nationally recognized festival, in Spain or not.

It’s the end of May and I’ve just completed my goals. I think I shall hashtag this as #travellover. Last weekend, my sevillana half orange, La Dolan, and I went to visit Spain’s lushiest Virgin Mother, La Virgen del Rocío.

The festival of El Rocío is one-part religious pilgirimage, one-part full-blown fair and two parts party: those devoted to the Virgen, known as the Lady Of the Marshes or the White Dove (Nuestra Señora de Las Marismas, for the hermitage’s proximity to the protected swampland of Doñana National Park, or the Blanca Paloma), make a pilgrimage from their towns to the immaculate white church outside the village of Almonte. This can be done on foot, on horseback, or by riding in oxen-driven carrozas, a type of temporary covered wagon. Arriving on or before the Saturday of Pentecost, often sleeping and eating outdoors, the rocieros then gather in El Rocío for a series of masses, parades and the famed salta a la reja.

We arrived just before noon on Pentecost Sunday. I wore my celestial blue traje de gitana, coral flower on my head, while Cait opted for a breezy skirt. It was over 90º out, but the rocieros were in their typical costumes: the women in trajes de gitana or faldas rocieras, a skirt with ruffles suited for walking, and high leather boots. The male counterpart is a traje corto, with tight cropped pants made for horseback riding. I made a face at Cait, suddenly very hot with the sleeves of my dress and restricted in movement.

The whole village of El Rocío is like a town straight out of a Wild West film set – hitching posts set in front of modest houses, horses clopping gallantly around the sandy streets. It was difficult to walk with my espadrilles while dodging carriages, and sand soon filled my shoes.

As we neared the stark white church, a beacon against the bright blue Andalusian sky, we decided to visit the village’s most famous resident before going any further. As we neared, the tamboril drums and simple flutes that characterize the sevillanas rocieras grew to a furor, and the crowd standing under the scalloped entrance of the hermitage suddenly parted. The Pentecost mass had just ended, and a parade of the simpecaos, the banners carried by the different religious groups, had begun.

The knots of people ebbed and moved as the 110 hermandades, yes the same kind from Holy Week, from around Spain presented their faithful before the church and moved around the village’s dusty streets. From simple to elegant, each carry a symbol of the Virgen del Rocío. The pilgrimage dates back to the 17th Century, with the hermandad from Almonte, el Matriz, being the oldest. Following the banner come women in two straight lines on either side of the simpecao, carrying long silver staffs topped with images of their brotherhood’s virgen. Their necks were emblazoned with the same silhouette in the form of heavy pendants on the end of multi-colored rope cords.

The festival at the Aldea is characterized by religious devotion, of course, but there’s much more to it. As Cait and I reflected over our first action-packed hour, we listened to other bar-goers recount their tales. Once the hermandades arrive to El Rocío through the various routes from the East, West and South, they settle into houses that look like a giant corral or hotel around a central patio, with room for the carrozas and horses behind. Gines, Olivares, Villamanrique and Triana have enormous patios, and we peeked in to see the merriment between beers. People sing, dance and pray for up to one week during the pilgrimage and the celebration.

Feeling refreshed, we decided on visiting the Virgin herself. The temple is simple, white-washed, save the golden retablao and a few frescoes in the corners of the nave. Cola de batas, the boundy ruffles of the traje rociero, showed under confessional booths, and the romeros prayed to the Virgen Mother, who was kept safely behind a cast iron gate, called a reja. After praying the rosary that night at midnight, she would “jump over” the reja and be paraded around the village on the shoulders of revelers, called the salta a la reja. This is the culmination of the week’s events, and it signals the abandonment of the recinto and the camino back home.

Outside, we bought candles in the gift shop to take to the adjacent prayer chapel. There’s a life-sized statue of the Rocío that people press their candles to before lighting them and finding a place to prop them up. The whole chapel was cool, smoky and silent – a far cry from the music emanating from the casas outside.

We spent the rest of the afternoon walking through the streets, popping into bars for a beer (and relief from the hot midday sun), visiting my students from Olivares and trying to keep the sand out of our shoes. We got on the bus six hours after we’d arrived, absolutely exhausted and still bigger feriantas than rocieras.

Have you been to El Rocío or done the peregrinación? What was your experience like, especially on the road towards the Aldea? For more pictures, be sure to check out my Facebook page and become a fan for up-to-date photos and posts about Spain and Seville.

Death in the Afternoon

Like it or not, bullfighting is intrinsic in sevillano culture. Hemingway’s favorite pastime is both hemmed and hawed and considered a great art form, but this piece of southern folklore is alive and well in Seville’s Maestranza bullring, which hosts some of the most revered festejos and brings in the biggest names in bullfighting.

Aside from the gory part of bullfighting, I personally love the image of a bullfighter. Slight body, slicked, jet-black hair, traje de luces glimmering in the afternoon sun. What’s more, the plaza de toros in Seville is de leyenda – the mustard yellow and white colonnades offset the bluest of skies and the yellow albero dirt that lines the elliptical plaza. The pomp and circumstance of the whole thing is as breathtaking as a Virgin passing silently over the Guadalquivir River during Holy Week, alit with candles. And, really, I just wanted to bring Camarón along to get closer.

We enter the gates of the Maestranza by way of a narrow, uphill alley, the same the bullfighters take past snapping camera flashes. The toreros are celebrities in their own right – rich, often handsome and ready to face death by way of a 500-kilo animals with two piercing horns and plenty of mala ostia. Our seats are in the sol – sunny – section, but the cloud cover in the late afternoon means we’re pleasantly comfortable and have paid 20€ less for the event. People surround us on all sides – old men in caps with their grandchildren next to them munching on sunflower seeds, wealthy sevillanos with sideburns and fancy seat covers, guiris like us with cameras poised.

The clip clop of horses sounds in the inner bowels of the arena below me. Pages with long plumes enter the ring as the band plays from high in the sombra section. They present their hats and the bullfighters enter gallantly, a cluster of photographers crouching as the toreros gaze at the crowd before them.

We’ve come to a novillada, where young bullfighters gain experience on smaller bulls and often in bullrings of a lesser division. But here, in the Maestranza of Seville, the bulls are agile, strong and weigh in at almost 500 kilos. We’ll see each – Conchi Ríos, Emilio Huertas and Álvaro Sanlúcar – fight two bulls. One of the opponents will die, and the other survive.

At 7pm sharp, the Puerta Gayola opens and the sounding of two cornets pierce the silent arena. Out comes Medialuna, and his statistics are announced on a placard over the door. Despite his size, he seems a bit flojillo as Conchi measures him up. Bullfighting is traditionally a male sport, but Conchi is treated equally, her cuadrilla or band of picadores, banderilleros and mozo de espada as grand as any. Using a heavy pink and yellow cape, called a capote, they measure the bull’s strength though a series of passes known as a verónica during the first third of the act. Conchi has a matador’s body and only the lavender colored ribbon in her hair gives away her gender.

The clip-clopping commences and the picaderos enter the ring through a gate adjacent to our seats. Fully armored, the horses are blindfolded and I cringe as the whole weight of the animal nearly knocks over the horse. A long rod with a hook on the end is driven between Medialuna’s shoulder blades. Conchi’s banderilleros, the three men designated to put the small flags into the bull’s mighty back take wing. The second act of the tragedy comes at a price – the bull is weakened due to the loss of blood, and it seems certain that he will meet his end. The small banderillas are fashioned after the Spanish, Andalusian and Murcian flags, paying homage to Conchi and her cuadrilla (from the region of Murcia) and the plaza.

Once the banderillas have been fixed, making the bull look as if it had won ribbons at a state fair, Conchi takes off her montera hat, saluting to the crowd. Now comes the final faena of the fight, where she manuevers the muleta, a small red cape, around the bull, using short grunts and movement to make the animal barge towards her. Though the animal passes far away from her, I’m intrigued by her foray into the sport.

Her first attempt to drive the sword between the shoulder blades, thus severing the main artery and killing the bull as cleanly as possible, is unsuccessful. Before the day is out, we’ll see five more bulls from the novilleros all hoping to present themselves as full matadors in the coming years. Álvaro Sanlúcar has a baby face and seems unsure of himself at times, while Emilio Huertas is so convincing in his second faena of the day, the band finally starts playing a paso doble as he puffs out his chest and taunts the creature.

“Oh, he’s going places,” says Cait, our resident toro aficionado. His faena is flawless (well, to me) and his efforts earn a standing ovation from the crowd. I take a kleenex out of my purse and wave it in the air, a petition to the judges to award him a special prize – an ear for his bravery and artistry. The ear is cut, and Emilio humbly takes it. Patting backs and hugging commences as he holds it triumphantly in the air and walks slowly around the ring. Fans throw flowers, hats and even painted fans at the young torero.

Placing his montera back on his head, he catapults himself out of the ring and leaves the last bull of the evening to Álvaro. He’s a fierce one who charges as soon as he catches movement. By this point, I’m already thinking about dinner (and I love bull tail, for the record). The trio walk slowly back out of the gate designated for them when it’s all over, symbolizing their triumph over death.

Not to add fuel to the fire, but have you been to a bullfight? What are your impressions of it? If you’re not into the gory stuff, please vote for me on Kaplan’s How to Teach English blog competion. My entry appeared on this blog last week, and your vote here with my name and blog URL could mean a free iPod for you, too!

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