Photo Post: Moroccan Art and Architecture at the Fundación de las Tres Culturas

September 28, 2015 by · 6 Comments

The legacy of the 1992 World Expo has certainly left its mark on Seville – the high speed AVE train was inaugurated to bring visitors to the Andalusian capital and, along with it, loads of tourist dollars. For six months, millions of patrons streamed through Isla de la Cartuja, a sliver of land between the Guadalquivir and the canal and into over 100 country-represented pavilions and themes.

The Legacy of the 1992 Expo Seville

I could see the remnants of many of those buildings 25 years after the doors shut when I moved to Seville, and most had since fallen into disrepair or repurposed as government buildings. I’d often use the empty space to run, dodging weeds and broken glass on uneven pavement.

Once of the few permanent structures is the Pabellón de Marruecos, a gleaming gem of architecture and Moroccan handiwork that site between the Cartuja Monastery, Science and Discovery pavilions. Funded by the Moroccan king and gifted to Rey Juan Carlos I as a sign of cooperation, the structure is extravagent

I’d been past the Pabellón countless times, intrigued by a seemingly new building free of overgrown weeds and graffiti. Thanks to a tweet, the occupants of the building, Fundación Tres Culturas del Mediterráneo, invited me to a free guided tour. 

Honeycomb

I arrived by bike as Toñi was beginning the tour at the building’s exterior. Based on an eight-point star, and shaped as thus I was amazed at the inclusion of so many hallmarks of Arabic, Mudéjar and Islamaic architecture, from the arches that led into the atrium to the outdoor fountain that once pumped gallons of water through the space. 

The striking glass wall is meant to represent Morocco’s entrance into the 21st Century.

Sunshine on the Pabellon de Marruecos

All of the work on the pavilion was designed and overseen by Hassan II, and the extensive artwork inside mirrors traditional procedures – including the eggshell plaster in the basement! While the nearby Alcázar palace is a lesson in grandeur, the Morocco Pavilion feels refreshingly modern while tipping its hat to an extensive cultural heritage (plus, patrons are encouraged to touch everything!). From wood to plaster to tile, I wandered from room to room flabbergasted at the symbolism and beauty of every room.

This is one of those places you’ve got to see to believe, so I’ll show you:

detail of Moroccan Pavilion of 92 Expo

Moroccan Lute

Moroccan Art on Display in Seville

Sumptuous Basement of the Fundacion Tres Culturas Sevillla

A visit to Fundacion Tres Culturas Sevilla

Eight pointed Star of Islam

The visit begins in the lower level, “an oasis” as Tonñi explains, going as far as pointing out that there are palm trees carved into the support pillars, just like in a desert oasis. With soft colors and devoid of mentions of idols or gods, the central fountain is surrounded by wood and plaster reliefs.

The sumptuous main hall gets all of the glory – this is where conferences, concerts and even fashion shows are held – but the underground room is calming and striking.

Fundacion Tres Culturas Cupula

Grand Hall and Fountain Fundacion Tres Culturas Sevilla

Great Hall Moroccan Pavilion Expo 92

arches and sunlight

Moroccan woodworking

Moroccan Tile Work

I asked my boss that afternoon if she’d gone to the Expo when she was younger. “Why yes!” she said, eyes lit as she slammed an open palm on my desk. “I was a tour guide – microphone and all! – and got to go to all of the pavillions!” When I mentioned I’d been in Morocco’s earlier than day, she through her head back and waxed poetic about the fluffy couscous that was served on the third floor’s exclusive restaurant.

Moroccan Restaurant Expo 92 Sevilla

Remaining Pavilions from the 92 Expo

Old and New in La Cartuja

To me, the Fundación Tres Culturas bridged more than the past and the future – it bridges cultures and understanding. The Alcázar, the Mezquita and the Alhambra appear dormant compared with a breathing organism dedicated to preserving Spain’s three historic cultures.

The Fundación de las Tres Culturas del Mediterráneo is open daily to members, with free guided tours being given on Tuesday mornings at 11am through their online booking system. Concerts, Arabic and Hebrew classes and conferences are among their other cultural offerings, and they boast an extensive library with free membership.

This coming Wednesday and Thursday, the Fundación Tres Culturas will be hosting a benefit event for Syrian refugees. Listen to Syrian music and watch whirling dervishes in the main hall of the Fundación. Tickets are 10€ and 100% of the proceeds go to the Centro Española de Atención al Refugiado in their effort to aid refugees. For more information and tickets, check their page. They’ll also be participating in Friday’s Noche en Blanco Sevilla, providing free evening tours until the wee hours.

Filed Under: Andalusia Tourism, Arabic Influence, Architecture, Art, Featured, Morocco, photo post, Seville, Things to do in Sevilla, Typical NonSpanish · Tagged: , ,

Seville Snapshots: Palm Sunday Processions

March 31, 2015 by · 15 Comments

I packed my bag hurriedly but with purpose: I’d need sunscreen, lipstick, a street map and my camera with long-distance lens. Nothing more, nothing less. I locked the door and walked hurriedly to the bar.

After more than seven years in Seville, I was finally staying to see Holy Week, the somber processions that punctuate the spring rains and precursor to the raucous fair. My ten-day break from school usually means a trip to somewhere far away from pointy hats and heavy floats – I’ve used Semana Santa to see the Taj Mahal, sip Turkish coffee in Istanbul, to road trip through Europe’s youngest country.

But this year, I made torrijas, a typical sweet eaten during Lent, and buckled down to see the pasos. After lunch in Triana, Kelly and I took the long way to see La Estrella – one of the neighborhood brotherhoods, called hermandades. This takes planning, sturdy shoes and a lot of patience.

Carrera Oficial Semana Santa Sevilla

Friends in Spain

As a Semana Santa Virgin – bad pun, I admit it – I was intrigued and had an open mind. And after weeks without even taking Camarón with me, he was long overdue for a day out. Over 400 photos later, I’ve been convinced that Holy Week is aesthetically pleasing, albeit a logistical headache, even in the back-end of Triana! Here are some of my (untouched!) favorites:

La Estrella – from the Seville side of the Puente de Triana

Rather than crossing over the Puente de Triana, we took El Cachorro. The city’s most iconic bridge sees five brotherhoods pass over on its way to the Carrera Oficial between la Campana and the Cathedral and back home.

La Estrella is Triana’s first and one of its most beloved. The purple and blue antifaces seemed less jarring in a bright afternoon light. Seeing my first paso had all of the hallmarks – nazarenos handing out candy to kids, barefoot brothers seeking penitence while clutching rosaries, two floats and brass bands.

We watched the Cristo de las Penas pass by, the air tinged with incense and azahar mixing with doughy fried churro steam. And, in true Semana Santa, we then went to a bar, had a drink, and emerged an hour later to wait for the Virgen de la Estrella.

I’d come to discover that this is Semana Santa – waiting, pushing, waiting, drinking a beer, walking, waiting.

Penitent of La Estrella Brotherhood Sevilla

Photographing Semana Santa

Incense Holy Week

El Cristo de la Penas en su Procesion

Barefoot penitents

Kid Nazarenos

Virgen de la Estrella

El Jesús Despojado – from Antonia Día/Adriano

As soon as the band immediately behind the Virgen de las Estrella passed by, the throngs of people immediately disseminated. Like a couple of cabritas, we followed them, hatching out a semi-plan with the use of the Llamador guide and a vague idea of where some streets were.

We found a spot on the curb just past the bull ring to watch Jesús Depojado – an image of Christ being disrobed – just before the Cruz de Guía emerged from an alleyway. Brothers handed us small pictures of the images, called estampitas, as they passed by, lighting the candles they held in their hands as dusk fell.

This particular procession captivated me, from the way children dipped their white gloves into the pools of hot wax as the cirios burned down to the way the costaleros turned the float around a tight corner to cheers and clapping. 

Cruz de Guia Jesús Despojado

Wax balls Holy Week

Holy Week Processions in Sevilla

Penitence Cross Holy Week Seville

Virgin Mary Procession

Virgen of the Jesus Despojada

Cirios in Holy Week Seville

La Amargura from Placentines/Alemanes

Kelly and I found Ximena and Helen after taking the long way around Barrio Santa Cruz. Helen had found a pocket of space in the shadow of the Giralda to watch her boyfriend’s procession, La Amargura. It was past 10pm, and the lights of the buildings had been switched off.

La Amargura is a serious brotherhood whose nazarenos cannot break rank. Even with their faces covered and hands grasping their antifaces, the solemnity was evident. When the white-clad nazarenos begin filing by with their cirios lit, I gasped. It was eery, haunting.

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La Amargura near the Cathedral

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Just as I was crossing over the Carrera Oficial with the help of some local police and a hold up with El Amor’s procession, my mom called. I stumbled back to Triana via side streets just in time to watch El Cristo de las Penas enter into its temple.

Like a car backing up into a garage, the float was maneuvered halfway in before lurching out three times, finally entering on the shoulders of 48 costaleros after more than 13 hours of procession. I stumbled into bed well after 3am, myself having done a procession of my own for 13 hours.

Have you ever seen Semana Santa in Sevilla? Which processions are your favorites?

Filed Under: Andalusia Tourism, culture shock, El Centro, Featured, Holy Week, photo post, Semana Santa, Sevilla Center, Seville Shots, Spanish Traditions, Things to do in Sevilla, travel photography, typical Spanish · Tagged: , ,

Learning Photography Basics with Photo Tour Seville

October 20, 2014 by · 10 Comments

How many times have you been on a trip and you hand your camera off to someone, only to get this result?

Dude, I put it on auto for you. How could you have messed that up?

I sadly have pictures of myself in some gorgeous places – Beijing, Romania, Morocco – that have turned out less-than-stellar because asking a stranger to take my photo has resulted in a simple click without considering composition, light or even where my body was in the photo.

And then there’s the traveling-and-not-always-knowing-where-to-look factor. At breakneck speed on trips, I often forget to slow down and seek out details in photos, opting instead for macro shots of famous sites and landscapes.

As a professional photographer, Alberto began Photo Tour Seville to help visitors to the Andalusian capital discover the city’s most beautiful rincones, have professional photos taken in such rincones and receive a personalized photo album to take home.

We met Alberto in Plaza de América one sunny October morning – not optimal for photos, perhaps, but one of those mornings where it’s pleasant in the sun, chilly in the shade and the blue hue of the sky still fools you into thinking it’s still summer.

Alberto gave us a mini-tour through María Luisa park, a historic part of the city he jokingly calls “el despacho,” or the office. We sat in a shady plaza dedicated to Miguel de Cervantes, Spain’s literary mastermind, which had ceramic bookshelves with a few tattered paperbacks for loan.

Alberto explained the various parts of the manual functions, something I’d toyed with from time to time before settling on automatic settings for sake of time. I was familiar with all of the terms – f-stop, white balance, aperture – but haven’t quite worked out how to make them all fit to get the result my own two eyes did.

Then, he gave us a series of tasks around the park to practice what we had learned. First up was a formidable challenge: freezing the water of a fountain located in the center of the park while allowing the colors of the blue sky and lush gardens come out.

Easier said that snapped, as it took me three tries to get it kind of right!

I’d considered shutter speed for making the water not blur together, but couldn’t get the aperture, or the amount of like that gets let into the lens, and the ISO to work together. Essentially, the lower the ISO, the clearer your pictures are but the less sensitive they are to the light coming into the camera.

Next, I worked on taking a portrait of Laura on a bright day while experimenting with depth of field. Without Alberto’s help, I fumbled through the settings to be sure Laura’s face was in focus and the backdrop of the Museo de Artes y Costumbre’s mudéjar facade a bit blurred, taking into account all of the light that would be in the frame.

Fail. I’d need to work at this.

Once I’d reset and looked for a place with less light, I snapped another picture of my friend with better results:

The pigeons at the western end of the plaza were our next challenge. I’ve long tried to capture them in flight, but had never gotten the shutter speed fast enough to have their wings fully outstretched. But that had an easy fix: shutter speed. I set my shutter as fast as it would snap – 1/3200 of a second – and waited for the birds to fly.

Even when the pigeons weren’t flying, I experimented with depth of field and closing the aperture to focus the photo.

Alberto then led us through the lush gardens of María Luisa, constructed for the 1929 Ibero-American Fair and full of hidden fountains and busts. Apart from tutorials, Sevilla Photo Tour also takes photos of families (which eliminates the more-than-likely chance that you’ll have a photo like the one above of a rooftop rather than the Giralda).

Like any good tour, we ended with a beer and a few tapas before I jetted off to work. Laura spent a good chunk of her afternoon in the park and Plaza de España testing out her photography skills. When I met her at 10pm that night on a ceramic bench in the picturesque half-moon square, I tried to remember what I’d been taught.

Yeah, add a tripod for Camarón to my registry wish list!

Alberto graciously offered Laura and I the tour free of charge, but all opinions are my own. If you’re interested in learning more, get in touch with Alberto at Photo Tour Seville!

Have you ever been on a photo tour, or any sort of out-of-the-box tour while traveling?

Filed Under: blogging, El Centro, Featured, Habla de Tu Ciudad y Vive de Ella, Parks and Gardens, photo post, Photographer Sevilla, Sevilla Center, Seville Shots, Things to do in Sevilla, Tours in Spain, travel photography · Tagged: ,

Seville Snapshots: The Pabellón de Navigación

December 2, 2013 by · 4 Comments

Seville’s history is intertwined with the sea, despite being inland. It was here that The Catholic Kings gave Christopher Columbus permission and a couple of big boats to go find the East, and subsequently, all of the riches from the New World came through Seville on the Guadalquivir River.

During the Ibero-American Festival of 1992, the land around the Cartuja monastery was transformed into a futuristic city, where technology merged with tradition. Sadly, the city left this corner of Seville untouched for a few decades, and is now beginning to sell buildings to be recycled and re-used – and hopefully revitalize La Cartuja.

Perched on the banks of the Guadalquivir on the southern end of the complex (just opposite the Schindler elevator erected for the Expo’92), the building resembles a capsized boat, whose hull soars over you. The space hosts rotating exhibitions, as well as a permanent exhibit about Seville’s place in maritime history and what it was like to sail the seven seas. Opened in 2011, it’s a beautiful, open space, and worth a quick visit if you’re in Seville. There are plans in motion to open a small bar and offer boat rides on the river, too.

If you go: the Pabellón de la Navegación can be reached by city buses C1 or C2, or the 6, and is a 15 minute walk from Plaza de Armas. Visiting hours are, Tuesday-Saturday from 10am – 17:30 and Sundays and holidays from 10am – 15:00.

Filed Under: Andalusia Tourism, Architecture, Featured, Fotografo Sevilla, Habla de Tu Ciudad y Vive de Ella, Museums, Seville, Seville Shots, Things to do in Sevilla · Tagged: ,

Seville Snapshots: The Ceramic Benches of the Plaza de España

November 25, 2013 by · 19 Comments

I adore Plaza de España.

It was here in 2005 that I sat on one of the ceramic benches and journaled about studying abroad. Eight years later, I’ve made countless visits to the half-moon square with visitors (inlcuding Alex, my blog media naranja from Ifs, Ands & Butts), to photograph Andrea and Carlos’s wedding, and to the dreaded Extranjería for residency issues.

Originally built in 1929 for the Ibero-American Fair, the majestic building and its ceramic tile work crown the María Luisa Park. Roma gypsies peddle fans and tourists rent boats to float around the moat. The colonnades hide several government offices, but the main attraction are the hand-painted tiles that represent each province of Spain and its place in history.

In 2005, I sat at the Valladolid bench, fresh out of my study abroad experience. Moving back to Spain had barely crossed my mind at that point, and much less so, to Seville.

Have you even been to the Plaza de España? What’s your favorite monument in Seville?

Filed Under: Andalusia Tourism, Architecture, El Centro, Featured, Habla de Tu Ciudad y Vive de Ella, Parks and Gardens, Places with Encanto, Plazas and Squares, Sevilla Center, Seville, Seville Shots, Things to do in Sevilla · Tagged: ,

Seville Snapshots: Quiosco El Gato Negro

October 14, 2013 by · 1 Comment

When I first came to Spain, I loved how the tiled-lined abuelo bars would be full of octogenarians who would spend their pension’s pennies on the loud and brightly-lit slot machines in the bar while they sipped their morning cortados. The gambling and betting has been a part of Spanish culture since the mid-18th Century when the Lotería Nacional was formed, though its modern form didn’t roll around until the early 1800’s.

It’s common to see people lined up during big weekly draws, but especially when the Primitiva hits in September, and for El Gordo, the annual Christmas drawing that is one of the largest prizes in Spain. Even watching the children of Colegio San Ildefonso in Madrid sing out the numbers is like a national holidays. I was once on a train to Madrid during the drawing and the event was broadcast over the loudspeakers, and last year watched it in a bar near Plaza Santa Ana as the other patrons clutched their tickets, hoping for a win.

Colleagues and families often buy large blocks of tickets to have better odds, agreeing to split the money por si toca (if it happens). I’m not a big player, but I have to smile when I see the old men pulling coins out of their pockets to take their chances on a few numbers.

Just adjacent to the opposing cathedral is El Gato Negro, a small storefront where people queue up to buy lottery tickets and likely Seville’s most famous quiosco. There’s an A-4 sized tile of a black cat, the universal symbol of bad luck, that patrons reach up and pet when they’ve bought themselves a ticket for good luck. You can see where the tile has been worn during years of serving the public trying to strike it rich.

I didn’t get a shot of anyone petting the kitty, but in the three minutes I creeped around, nearly a dozen people walked in and out, trying their luck.

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Filed Under: El Centro, Featured, Loteria Nacional, money, Sevilla Center, Seville, Seville Shots, Spanish Traditions · Tagged:
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